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</dl>
</dd>
<dt>
-<a href="#sec33">Albert Camus</a>
+<a href="#sec33">Mike Carey</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec34">The Plague</a>
+<a href="#sec34">Lucifer (series)</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec35">Mike Carey</a>
+<a href="#sec35">Confucius</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec36">Lucifer (series)</a>
+<a href="#sec36">Analects</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec37">Confucius</a>
+<a href="#sec37">Neil Gaiman</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec38">Analects</a>
-</dt>
-</dl>
-</dd>
-<dt>
-<a href="#sec39">Neil Gaiman</a>
-</dt>
-<dd>
-<dl>
-<dt>
-<a href="#sec40">The Sandman (series)</a>
-</dt>
-<dt>
-<a href="#sec41">Good Omens</a>
+<a href="#sec38">The Sandman (series)</a>
</dt>
<dt>
-<a href="#sec42">American Gods</a>
+<a href="#sec39">Good Omens</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec43">John Taylor Gatto</a>
+<a href="#sec40">John Taylor Gatto</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec44">Underground History of American Education</a>
+<a href="#sec41">Underground History of American Education</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec45">Kahlil Gibran</a>
+<a href="#sec42">Kahlil Gibran</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec46">A Tear and a Smile</a>
+<a href="#sec43">A Tear and a Smile</a>
</dt>
<dt>
-<a href="#sec47">The Prophet</a>
+<a href="#sec44">The Prophet</a>
</dt>
<dt>
-<a href="#sec48">Sand and Foam</a>
+<a href="#sec45">Sand and Foam</a>
</dt>
<dt>
-<a href="#sec49">The Madman</a>
+<a href="#sec46">The Madman</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec50">Homer</a>
+<a href="#sec47">Homer</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec51">The Odyssey</a>
+<a href="#sec48">The Odyssey</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec52">Aldous Huxley</a>
+<a href="#sec49">Aldous Huxley</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec53">The Doors of Perception</a>
+<a href="#sec50">The Doors of Perception</a>
</dt>
<dt>
-<a href="#sec54">Heaven and Hell</a>
-</dt>
-<dt>
-<a href="#sec55">Brave New World</a>
+<a href="#sec51">Heaven and Hell</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec56">William James</a>
+<a href="#sec52">William James</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec57">The Varieties of Religious Experience</a>
+<a href="#sec53">The Varieties of Religious Experience</a>
</dt>
<dt>
-<a href="#sec58">The PhD Octopus</a>
+<a href="#sec54">The PhD Octopus</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec59">Henry James</a>
+<a href="#sec55">Henry James</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec60">The Altar of the Dead</a>
+<a href="#sec56">The Altar of the Dead</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec61">Gregor Kiczales</a>
+<a href="#sec57">Gregor Kiczales</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec62">The Art of the Metaobject Protocol</a>
+<a href="#sec58">The Art of the Metaobject Protocol</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec63">Søren Kierkegaard</a>
+<a href="#sec59">Søren Kierkegaard</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec64">Sickness Unto Death</a>
-</dt>
-<dt>
-<a href="#sec65">Either/Or</a>
+<a href="#sec60">Sickness Unto Death</a>
</dt>
<dt>
-<a href="#sec66">Fear and Trembling</a>
+<a href="#sec61">Either/Or</a>
</dt>
<dt>
-<a href="#sec67">Repetition</a>
+<a href="#sec62">Fear and Trembling</a>
</dt>
<dt>
-<a href="#sec68">The Concept of Anxiety</a>
+<a href="#sec63">Repetition</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec69">Alisa Kwitney</a>
+<a href="#sec64">Alisa Kwitney</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec70">Destiny: A Chronicle of Deaths Foretold</a>
+<a href="#sec65">Destiny: A Chronicle of Deaths Foretold</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec71">David Lamkins</a>
+<a href="#sec66">David Lamkins</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec72">Successful Lisp</a>
+<a href="#sec67">Successful Lisp</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec73">Mencius</a>
+<a href="#sec68">Mencius</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec74">Mencius</a>
+<a href="#sec69">Mencius</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec75">Walter Miller</a>
+<a href="#sec70">Walter Miller</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec76">A Canticle for Leibowitz</a>
+<a href="#sec71">A Canticle for Leibowitz</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec77">John Milton</a>
+<a href="#sec72">Alan Moore</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec78">Paradise Lost</a>
+<a href="#sec73">Watchmen</a>
</dt>
-</dl>
-</dd>
<dt>
-<a href="#sec79">Alan Moore</a>
-</dt>
-<dd>
-<dl>
-<dt>
-<a href="#sec80">Watchmen</a>
-</dt>
-<dt>
-<a href="#sec81">V for Vendetta</a>
+<a href="#sec74">V for Vendetta</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec82">Thomas More</a>
+<a href="#sec75">Thomas More</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec83">Utopia</a>
+<a href="#sec76">Utopia</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec84">Friedrich Nietzsche</a>
+<a href="#sec77">Friedrich Nietzsche</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec85">Thus Spoke Zarathustra</a>
-</dt>
-<dt>
-<a href="#sec86">Beyond Good and Evil</a>
+<a href="#sec78">Beyond Good and Evil</a>
</dt>
<dt>
-<a href="#sec87">On the Geneaology of Morals</a>
+<a href="#sec79">On the Geneaology of Morals</a>
</dt>
<dt>
-<a href="#sec88">Ecce Homo</a>
+<a href="#sec80">Ecce Homo</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec89">George Orwell</a>
+<a href="#sec81">George Orwell</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec90">1984</a>
+<a href="#sec82">1984</a>
</dt>
<dt>
-<a href="#sec91">Animal Farm</a>
+<a href="#sec83">Animal Farm</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec92">Plato</a>
+<a href="#sec84">Plato</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec93">Symposium</a>
-</dt>
-<dt>
-<a href="#sec94">Euthyphro</a>
-</dt>
-<dt>
-<a href="#sec95">Apology</a>
+<a href="#sec85">Symposium</a>
</dt>
<dt>
-<a href="#sec96">Crito</a>
+<a href="#sec86">Euthyphro</a>
</dt>
<dt>
-<a href="#sec97">Phaedo</a>
+<a href="#sec87">Apology</a>
</dt>
<dt>
-<a href="#sec98">Protagoras</a>
+<a href="#sec88">Crito</a>
</dt>
-</dl>
-</dd>
<dt>
-<a href="#sec99">Edgar Allan Poe</a>
+<a href="#sec89">Phaedo</a>
</dt>
-<dd>
-<dl>
<dt>
-<a href="#sec100">Tales of Mystery and Suspense</a>
+<a href="#sec90">Protagoras</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec101">Luke Rhinehardt</a>
+<a href="#sec91">Luke Rhinehardt</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec102">The Dice Man</a>
+<a href="#sec92">The Dice Man</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec103">Neal Stephenson</a>
+<a href="#sec93">Neal Stephenson</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec104">Snow Crash</a>
+<a href="#sec94">Snow Crash</a>
</dt>
<dt>
-<a href="#sec105">Cryptonomicon</a>
+<a href="#sec95">Cryptonomicon</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec106">Bjarne Stroustrup</a>
+<a href="#sec96">Bjarne Stroustrup</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec107">The C++ Programming Language (3rd edition)</a>
+<a href="#sec97">The C++ Programming Language (3rd edition)</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec108">JRR Tolkien</a>
+<a href="#sec98">JRR Tolkien</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec109">The Lord of the Rings</a>
-</dt>
-<dt>
-<a href="#sec110">The Silmarillion</a>
+<a href="#sec99">The Lord of the Rings</a>
</dt>
<dt>
-<a href="#sec111">The Lost Tales</a>
+<a href="#sec100">The Silmarillion</a>
</dt>
-</dl>
-</dd>
<dt>
-<a href="#sec112">Kurt Vonnegut</a>
-</dt>
-<dd>
-<dl>
-<dt>
-<a href="#sec113">Cat's Cradle</a>
+<a href="#sec101">The Lost Tales</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec114">H.G. Wells</a>
+<a href="#sec102">H.G. Wells</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec115">The Island of Dr Moreau</a>
-</dt>
-</dl>
-</dd>
-<dt>
-<a href="#sec116">Robert Anton Wilson</a>
-</dt>
-<dd>
-<dl>
-<dt>
-<a href="#sec117">The Illuminatus! Trilogy</a>
-</dt>
-</dl>
-</dd>
-<dt>
-<a href="#sec118">Yevgeny Zamyatin</a>
-</dt>
-<dd>
-<dl>
-<dt>
-<a href="#sec119">We</a>
+<a href="#sec103">The Island of Dr Moreau</a>
</dt>
</dl>
</dd>
</div>
-<!-- Page published by Emacs Muse begins here --><h2><a name="sec1" id="sec1"></a>
+<!-- Page published by Emacs Muse begins here -->
+<h2><a name="sec1" id="sec1"></a>
Douglas Adams</h2>
<h2><a name="sec33" id="sec33"></a>
-Albert Camus</h2>
-
-
-
-<h3><a name="sec34" id="sec34"></a>
-The Plague</h3>
-
-<p><em>Fiction</em></p>
-
-
-
-
-
-
-<h2><a name="sec35" id="sec35"></a>
Mike Carey</h2>
-<h3><a name="sec36" id="sec36"></a>
+<h3><a name="sec34" id="sec34"></a>
Lucifer (series)</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••</span><span class="rating-bad">•••• </span> (6) / <em>Fiction</em></p>
-<h2><a name="sec37" id="sec37"></a>
+<h2><a name="sec35" id="sec35"></a>
Confucius</h2>
-<h3><a name="sec38" id="sec38"></a>
+<h3><a name="sec36" id="sec36"></a>
Analects</h3>
<p><em>Nonfiction</em></p>
-<h2><a name="sec39" id="sec39"></a>
+<h2><a name="sec37" id="sec37"></a>
Neil Gaiman</h2>
-<h3><a name="sec40" id="sec40"></a>
+<h3><a name="sec38" id="sec38"></a>
The Sandman (series)</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
-<h3><a name="sec41" id="sec41"></a>
+<h3><a name="sec39" id="sec39"></a>
Good Omens</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
-<h3><a name="sec42" id="sec42"></a>
-American Gods</h3>
-
-<p><em>Rating:</em> <span class="rating-good"> ••••••</span><span class="rating-bad">•••• </span> (6) / <em>Fiction</em></p>
-
-<p>Entertaining, but the end was a bit much rushed.</p>
-
-
-
-<h2><a name="sec43" id="sec43"></a>
+<h2><a name="sec40" id="sec40"></a>
John Taylor Gatto</h2>
<p class="first">Former teacher and now author-activist.</p>
-<h3><a name="sec44" id="sec44"></a>
+<h3><a name="sec41" id="sec41"></a>
Underground History of American Education</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Nonfiction</em></p>
-<h2><a name="sec45" id="sec45"></a>
+<h2><a name="sec42" id="sec42"></a>
Kahlil Gibran</h2>
<p class="first">Kahlil Gibran is fairly interesting; his earlier works do not
the editions from the 50s and 60s (and cost quite a bit more,
naturally).</p>
-<h3><a name="sec46" id="sec46"></a>
+<h3><a name="sec43" id="sec43"></a>
A Tear and a Smile</h3>
<p><em>Rating:</em> <span class="rating-good"> •••</span><span class="rating-bad">••••••• </span> (3) / <em>Fiction</em></p>
-<h3><a name="sec47" id="sec47"></a>
+<h3><a name="sec44" id="sec44"></a>
The Prophet</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
-<h3><a name="sec48" id="sec48"></a>
+<h3><a name="sec45" id="sec45"></a>
Sand and Foam</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
-<h3><a name="sec49" id="sec49"></a>
+<h3><a name="sec46" id="sec46"></a>
The Madman</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
-<h2><a name="sec50" id="sec50"></a>
+<h2><a name="sec47" id="sec47"></a>
Homer</h2>
-<h3><a name="sec51" id="sec51"></a>
+<h3><a name="sec48" id="sec48"></a>
The Odyssey</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
-<h2><a name="sec52" id="sec52"></a>
+<h2><a name="sec49" id="sec49"></a>
Aldous Huxley</h2>
<p class="first">Perhaps the most overrated modern writer. Other people have written
everything he has to write better and many years before he got around
to it.</p>
-<h3><a name="sec53" id="sec53"></a>
+<h3><a name="sec50" id="sec50"></a>
The Doors of Perception</h3>
<p><em>Rating:</em> <span class="rating-good"> </span><span class="rating-bad">•••••••••• </span> (0) / <em>Nonfiction</em></p>
-<h3><a name="sec54" id="sec54"></a>
+<h3><a name="sec51" id="sec51"></a>
Heaven and Hell</h3>
<p><em>Rating:</em> <span class="rating-good"> </span><span class="rating-bad">•••••••••• </span> (0) / <em>Nonfiction</em></p>
-<h3><a name="sec55" id="sec55"></a>
-Brave New World</h3>
-
-<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
-
-<p>A nice light read; the story is obvious and by the hundreth page
-the ending is clear, but it provided a bit of a break from heavier
-reading for me. I must say that anyone who has read <em>Brave New World</em>
-and does not despise modern society has the intellectual capacity of
-an <em>Epsilon</em>. <em>1984</em> is perhaps easily misread, but <em>Brave New World</em>
-is very clear with its message and is a bit like being smacked upside
-the head with a hammer.</p>
-
-
-
-<h2><a name="sec56" id="sec56"></a>
+<h2><a name="sec52" id="sec52"></a>
William James</h2>
-<h3><a name="sec57" id="sec57"></a>
+<h3><a name="sec53" id="sec53"></a>
The Varieties of Religious Experience</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
-<h3><a name="sec58" id="sec58"></a>
+<h3><a name="sec54" id="sec54"></a>
The PhD Octopus</h3>
<p><em>Nonfiction</em></p>
-<h2><a name="sec59" id="sec59"></a>
+<h2><a name="sec55" id="sec55"></a>
Henry James</h2>
<p class="first">The novelist brother of William James; I've not read many (read:
one) of his books, but what I did was decent.</p>
-<h3><a name="sec60" id="sec60"></a>
+<h3><a name="sec56" id="sec56"></a>
The Altar of the Dead</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
-<h2><a name="sec61" id="sec61"></a>
+<h2><a name="sec57" id="sec57"></a>
Gregor Kiczales</h2>
-<h3><a name="sec62" id="sec62"></a>
+<h3><a name="sec58" id="sec58"></a>
The Art of the Metaobject Protocol</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
-<h2><a name="sec63" id="sec63"></a>
+<h2><a name="sec59" id="sec59"></a>
Søren Kierkegaard</h2>
<p class="first">Kierkegaard was a master of style and philosophy; his writing is
interesting even if one finds the theistic extentialism espoused
disagreeable.</p>
-<h3><a name="sec64" id="sec64"></a>
+<h3><a name="sec60" id="sec60"></a>
Sickness Unto Death</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
-<h3><a name="sec65" id="sec65"></a>
+<h3><a name="sec61" id="sec61"></a>
Either/Or</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
-<h3><a name="sec66" id="sec66"></a>
+<h3><a name="sec62" id="sec62"></a>
Fear and Trembling</h3>
<p><em>Nonfiction</em></p>
-<h3><a name="sec67" id="sec67"></a>
+<h3><a name="sec63" id="sec63"></a>
Repetition</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
-<h3><a name="sec68" id="sec68"></a>
-The Concept of Anxiety</h3>
-
-<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
-
-<p>...Very clearly an early work of Kierkegaard. It is rather formal
-and difficult to get through. I'd recommend reading a lot of other
-Kierkegaard before this.</p>
-
-
-
-<h2><a name="sec69" id="sec69"></a>
+<h2><a name="sec64" id="sec64"></a>
Alisa Kwitney</h2>
-<h3><a name="sec70" id="sec70"></a>
+<h3><a name="sec65" id="sec65"></a>
Destiny: A Chronicle of Deaths Foretold</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
-<h2><a name="sec71" id="sec71"></a>
+<h2><a name="sec66" id="sec66"></a>
David Lamkins</h2>
-<h3><a name="sec72" id="sec72"></a>
+<h3><a name="sec67" id="sec67"></a>
Successful Lisp</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Nonfiction</em></p>
-<h2><a name="sec73" id="sec73"></a>
+<h2><a name="sec68" id="sec68"></a>
Mencius</h2>
-<h3><a name="sec74" id="sec74"></a>
+<h3><a name="sec69" id="sec69"></a>
Mencius</h3>
<p><em>Nonfiction</em></p>
-<h2><a name="sec75" id="sec75"></a>
+<h2><a name="sec70" id="sec70"></a>
Walter Miller</h2>
-<h3><a name="sec76" id="sec76"></a>
+<h3><a name="sec71" id="sec71"></a>
A Canticle for Leibowitz</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
-<h2><a name="sec77" id="sec77"></a>
-John Milton</h2>
-
-
-
-<h3><a name="sec78" id="sec78"></a>
-Paradise Lost</h3>
-
-<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
-
-
-
-
-
-
-<h2><a name="sec79" id="sec79"></a>
+<h2><a name="sec72" id="sec72"></a>
Alan Moore</h2>
-<h3><a name="sec80" id="sec80"></a>
+<h3><a name="sec73" id="sec73"></a>
Watchmen</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
-<h3><a name="sec81" id="sec81"></a>
+<h3><a name="sec74" id="sec74"></a>
V for Vendetta</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
-<h2><a name="sec82" id="sec82"></a>
+<h2><a name="sec75" id="sec75"></a>
Thomas More</h2>
-<h3><a name="sec83" id="sec83"></a>
+<h3><a name="sec76" id="sec76"></a>
Utopia</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
-<h2><a name="sec84" id="sec84"></a>
+<h2><a name="sec77" id="sec77"></a>
Friedrich Nietzsche</h2>
<p class="first">A bit acerbic and esoteric, Nietzsche is for me a good <em>secular</em>
only Nietzsche the asshole rather than Nietzsche the master of the
polemic.</p>
-<h3><a name="sec85" id="sec85"></a>
-Thus Spoke Zarathustra</h3>
-
-<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
-
-<p>A masterpiece of indirect communication depsite the occasional
-flaw and overly dramatic passage. Certainly a book worth reading many
-times over the course of one's life.</p>
-
-
-
-<h3><a name="sec86" id="sec86"></a>
+<h3><a name="sec78" id="sec78"></a>
Beyond Good and Evil</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Nonfiction</em></p>
-<h3><a name="sec87" id="sec87"></a>
+<h3><a name="sec79" id="sec79"></a>
On the Geneaology of Morals</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Nonfiction</em></p>
-<h3><a name="sec88" id="sec88"></a>
+<h3><a name="sec80" id="sec80"></a>
Ecce Homo</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
-<h2><a name="sec89" id="sec89"></a>
+<h2><a name="sec81" id="sec81"></a>
George Orwell</h2>
-<h3><a name="sec90" id="sec90"></a>
+<h3><a name="sec82" id="sec82"></a>
1984</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
-<h3><a name="sec91" id="sec91"></a>
+<h3><a name="sec83" id="sec83"></a>
Animal Farm</h3>
<p><em>Fiction</em></p>
-<h2><a name="sec92" id="sec92"></a>
+<h2><a name="sec84" id="sec84"></a>
Plato</h2>
-<h3><a name="sec93" id="sec93"></a>
+<h3><a name="sec85" id="sec85"></a>
Symposium</h3>
<p><em>Fiction</em></p>
-<h3><a name="sec94" id="sec94"></a>
+<h3><a name="sec86" id="sec86"></a>
Euthyphro</h3>
<p><em>Fiction</em></p>
-<h3><a name="sec95" id="sec95"></a>
+<h3><a name="sec87" id="sec87"></a>
Apology</h3>
<p><em>Nonfiction</em></p>
-<h3><a name="sec96" id="sec96"></a>
+<h3><a name="sec88" id="sec88"></a>
Crito</h3>
<p><em>Fiction</em></p>
-<h3><a name="sec97" id="sec97"></a>
+<h3><a name="sec89" id="sec89"></a>
Phaedo</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
-<h3><a name="sec98" id="sec98"></a>
+<h3><a name="sec90" id="sec90"></a>
Protagoras</h3>
<p><em>Fiction</em></p>
-<h2><a name="sec99" id="sec99"></a>
-Edgar Allan Poe</h2>
-
-<p class="first">ULTRAGOTHIK</p>
-
-<h3><a name="sec100" id="sec100"></a>
-Tales of Mystery and Suspense</h3>
-
-<p><em>Rating:</em> <span class="rating-good"> ••••••</span><span class="rating-bad">•••• </span> (6) / <em>Fiction</em></p>
-
-<p>This is when I learned that I still don't really like late 1800s
-American literature all that much. Some of the tales were worth
-reading, but most of it was not in a style I like all that much.</p>
-
-
-
-
-<h2><a name="sec101" id="sec101"></a>
+<h2><a name="sec91" id="sec91"></a>
Luke Rhinehardt</h2>
-<h3><a name="sec102" id="sec102"></a>
+<h3><a name="sec92" id="sec92"></a>
The Dice Man</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
-<h2><a name="sec103" id="sec103"></a>
+<h2><a name="sec93" id="sec93"></a>
Neal Stephenson</h2>
-<h3><a name="sec104" id="sec104"></a>
+<h3><a name="sec94" id="sec94"></a>
Snow Crash</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
-<h3><a name="sec105" id="sec105"></a>
+<h3><a name="sec95" id="sec95"></a>
Cryptonomicon</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
-<h2><a name="sec106" id="sec106"></a>
+<h2><a name="sec96" id="sec96"></a>
Bjarne Stroustrup</h2>
-<h3><a name="sec107" id="sec107"></a>
+<h3><a name="sec97" id="sec97"></a>
The C++ Programming Language (3rd edition)</h3>
<p><em>Nonfiction</em></p>
-<h2><a name="sec108" id="sec108"></a>
+<h2><a name="sec98" id="sec98"></a>
JRR Tolkien</h2>
-<h3><a name="sec109" id="sec109"></a>
+<h3><a name="sec99" id="sec99"></a>
The Lord of the Rings</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
-<h3><a name="sec110" id="sec110"></a>
+<h3><a name="sec100" id="sec100"></a>
The Silmarillion</h3>
<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
-<h3><a name="sec111" id="sec111"></a>
+<h3><a name="sec101" id="sec101"></a>
The Lost Tales</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
-<h2><a name="sec112" id="sec112"></a>
-Kurt Vonnegut</h2>
-
-
-
-<h3><a name="sec113" id="sec113"></a>
-Cat's Cradle</h3>
-
-<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
-
-<p>There are few books that I have started to read before sleeping
-and found myself watching the sun rise after finishing. <em>Cat's Cradle</em>
-is definitely required nerd reading.</p>
-
-
-
-
-<h2><a name="sec114" id="sec114"></a>
+<h2><a name="sec102" id="sec102"></a>
H.G. Wells</h2>
-<h3><a name="sec115" id="sec115"></a>
+<h3><a name="sec103" id="sec103"></a>
The Island of Dr Moreau</h3>
<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
-
-
-
-<h2><a name="sec116" id="sec116"></a>
-Robert Anton Wilson</h2>
-
-<p class="first">Or rather, Robert Anton Wilson and Robert Shea (but my book script
-updating thing doesn't do multiple authors</p>
-
-<h3><a name="sec117" id="sec117"></a>
-The Illuminatus! Trilogy</h3>
-
-<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
-
-<p>e-cash MP5K-SD Adriatic Bellcore Lon Horiuchi 9705 Samford Road
-jihad New World Order AVN FTS2000 ANZUS subversive SAPO PET Armani</p>
-
-
-
-
-<h2><a name="sec118" id="sec118"></a>
-Yevgeny Zamyatin</h2>
-
-
-
-<h3><a name="sec119" id="sec119"></a>
-We</h3>
-
-<p><em>Fiction</em></p>
-
-
-
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+ <a href="http
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+ <a href="https://www.fsf.org/register_form?referrer=114">
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</p>
-<p class="cke-footer">I'm just thinking aloud; isn't thinking allowed?
+<p class="cke-footer"><captain_krunk> ntk is currently using "telnet fyodor 25" to send email
</p>
<p class="cke-timestamp">Last Modified:
- November 5, 2010</p>
+ May 9, 2019</p>
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